Can Adel Bloch-Bauer be considered a kind of “muse” by Gustav Klimt? In a certain sense, perhaps yes. Since this young woman served as a model for four works by an Austrian artist: Judith I, Judith II, and, in fact, two portraits of the heroine numbered I and II, painted in 1907 and 1912.
Adele was the daughter of the head of the Vienna Banking Consortium, she was a rich, spoiled girl, accustomed to a secured lifestyle, and at the same time, sweet and charming.
According to the testimony of Adele’s native niece, she often suffered from headaches, continuously smoked, like a steam locomotive, but with all this, she was known as a tender and languid woman. Adele was the wife of a wealthy Jewish businessman, owner of sugar factories, Ferdinand Bauer, and before that she was married to his brother Gustav.
Close friendships were connected with the Klimt Bloch-Bauer couple, and they were part of the so-called "Bohemian party" of Vienna. Unfortunately, Adele’s life ended quite early - she died from brain inflammation, however, having managed to become the main character in several of Gustav Klimt’s creations.
In the painting “Portrait of Adele Bloch-Bauer II” we see an attractive young woman with an expressive face, standing on the path of the garden. Is this not the famous garden of the Austrian painter, where, as persistent rumors circulated, naked ladies walked around, among whom were representatives of the highest aristocratic circle? Quite possible.
However, Adele is dressed, her wide-brimmed hat is on her head, her face is facing the viewer, and one hand is hiding in the folds of the dress. Dark eyes look confident, but a little sad. Of course, Adele Bloch-Bauer could not know at that time that after a hundred years, paintings with her participation would cost millions of dollars. But she will not care.
Composition By Picture Matchmaking of Major